"THE FLAVOR OF THE REAL", EUROPE, N° 638-39, JUNE-JULY 1982, PP. 101-108.
DOSSIER CONTENTS Cubism and Literature
– Claude Leroy Cubism taken literally p. 3 – Michel/Etienne-Alain Decaudin/Hubert Brief history of an appellation: "literary cubism" p. 7 – Gabriel Bauret "Les Demoiselles d'Avignon": cubism manifesto p. 26 – François Chapon On some books by poets and painters p. 32 – Denis Milhau Reading cubism by two poets: Apollinaire and Reverdy p. 44 – Christian Derouet The cubist emotions of an art dealer p. 51 – Claude Leroy Braque as writer or the painter's signature p. 59 – Serge Fauchereau On a popular art p. 69 – Francis Vanoye Cine-cubism p. 81 – Maurice Mourier Max plays with cubes p. 88 – Henri Béhar The flavor of the real p. 101 – Etienne-Alain Hubert Pierre Reverdy and the "plastic poetry" of his time p. 109 – Claude Debon Apollinaire's Cubist Writing p. 118 – Claude Abastado Nunic stele for Trente et Un poèmes de poche by Pierre Albert-Birot p. 128 – Michel Décaudin "Literary Cubism": the Dermée case p. 133 – Claude Leroy Seven Fragments of a Léger by Cendrars p. 137 – Agnès Sola Cubism and Russian futurism p. 144 – Noëmi Blumenkranz-Onimus Cubism and Italian futurism p. 150 – Claude Grimal Integral cubist Stein p. 162
Claude Leroy, promoter of this dossier, questioned the relevance of the concept of cubism in literature, and its realizations. For my part, I mainly saw the presence of the real in the corpus thus designated.
Text reprinted in: H.B. Littéruptures, éd. L'Age d'Homme, 1988, p. 133-142.
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