“Harmonics and Fundamental Tones in Waiting for Godot and Endgame,” in: Waiting for Godot and Endgame by Samuel Beckett, edited by Franck Evrard, Ellipses, 1998, pp. 24-37
- History and Context of the Plays Sylvie Chalaye: Quid novi? Priska Degras: The Other Language Henri Béhar: Harmonics and Fundamental Tones in Waiting for Godot and Endgame
- The Beckettian Character Priska Degras: The Wavering Identity of the Character Michèle Raclot: Polysemy of the Scenic Object in Beckett’s Dramatic Universe
- Language on Trial Anna Dizier: Waiting for Godot, a New Language Christine Baron: Humor and Irony in Endgame and Waiting for Godot
- Physics and Metaphysics Christine Baron: Endgame and Waiting for Godot or the Ante-Purgatory of Meaning; a Paradoxical Metaphysics Franck Evrard: The Writing of the Cadaverous Body in Endgame
- Play and Theatrical Play Jean Maurice: Theatricality in Waiting for Godot and Endgame Florence Marguier: On the Stagings of Waiting for Godot and Endgame
Text reprinted in: Henri Béhar, Essay on the Cultural Analysis of Texts, Classiques Garnier, 2022, Collection: Theory of Literature, No. 24, pp. 175-192.
Essay on the Cultural Analysis of Texts (classiques-garnier.com)
On this same site: “Beckett’s Theater under the Eye of New Technologies”