This study examines the motif of the mirror in surrealist literature, particularly in the works of André Breton and Louis Aragon.

The text analyzes how the mirror functions as a metaphor for self-reflection, artistic creation, and the relationship between reality and representation in surrealist thought.

The study also explores the theoretical implications of this motif and its relationship to broader concerns about identity, perception, and the nature of artistic truth.

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This article appears in a collective work that examines the role of the mirror motif in literature and its various symbolic and aesthetic functions.