Created in 1896, Ubu roi has now become a classic work, which never leaves the contemporary stage, in France and around the world. It was appropriate to make a dramaturgical analysis to explain the reasons for its success. But, while trying to get rid of Father Ubu, this big fellow who stuck to his skin, Jarry felt the need to insert him into several cycles, like the heroes of our chansons de gestes. Complementarily, he devoted himself to writing numerous puppet plays, what he called "mirlitonesque theater". In such a way that, massive like Ubu or light like a puppet defying the laws of gravity, theatricality has invaded all his creation, under the sign of Pataphysics. The dramaturgical principles thus revealed have influenced all "New Theater", from Arrabal to Weingarten, passing through Ionesco and Beckett. In this work, revised and updated, which was authoritative from its first publication in 1980, Henri Béhar rehabilitates dramaturgical study and probes the mysteries of theatricality. He provides an analytical grid applicable to any contemporary dramatic creation.

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Read: Alfred Jarry's Complete Works are published by Classiques Garnier in 6 volumes.

Theses: Yanna Kor; Alfred Jarry's Theaters. The invention of the 'pataphysical stage

HÉRISSON, Armelle. Alfred Jarry: theater under the emblem of bad verse In: Forms and dispositions of theatrical text from symbolism to today: Literary, poetic, scenic issues [online]. Besançon: Presses universitaires de Franche-Comté, 2019. Available on Internet. ISBN: 978-2-84867-883-2. DOI.

Extensions:

Jacqueline de Jomaron, Theater in France. From the Middle Ages to the Present Day, Le Livre de poche, 1998.

Michel Corvin, Encyclopedic Dictionary of Theater, Bordas, 1993.